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The size of an MD is 7 cm (width) x 6.75 cm (height) x 0.5 cm (depth). The disc inside is 64 mm in diameter. |
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It depends upon who is listening, but in any case this difference is very tiny. MD utilizes a compression algorithm (see FAQ No. 3 on ATRAC) which discards some bits from the data stream. The bits that are discarded are meant to be those that represent sound that your ears could not detect in the reproduced music. A small double-blind test made by the ABX Company indicates that people do not find a difference between ATRAC-processed music and its original. However, they can readily spot the difference when a special test signal is used for the comparison. |
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ATRAC (Adaptive Transform Acoustic Coding) divides the 16 bit 44.1 KHz digital signal into 52 sub-bands in the frequency domain. The sub-bands in the low frequencies are finer than the ones in the high frequency range. A psycho-acoustic transfer function that takes advantage of the masking effect and the absolute hearing threshold of man then removes enough information to reduce the data stream to 1/5th of the original size. |
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There are two sources which could affect the quality of the recording. One is the chain of components that brings the sound to the MD's input. If you go analogue- to-analogue, you introduce the CD's D/A Converter and the MD's A/D Converter chips, each with its own artifacts. However, if you can bring the digital data stream directly to the MD via a digital connection; then the only source of differences would be the ATRAC compression algorithm. |
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Digital recording provides the most convenience when recording from CD's. No recording levels need to be set, track marks are copied from the CD perfectly, and analogue to digital conversion artifacts are completely avoided. |
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Rarely. A read-ahead buffer stores a few seconds of the audio material in memory during playback. The ATRAC decoder takes the data from the buffer, rather than directly from the medium. Thus, if the mechanism mistracks because of shock or vibration, the data continues to flow from memory while the MD machine recovers. If no more data remains available (when the disturbance lasts a long time), the audio material gets interrupted. Also note that the read-ahead buffer exists on every MD machine as part of the MD format. |
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Physically, a pre-recorded MD is just like a CD, using the same material and same production method, only the data contents are different. Unlike recordable MD's, pre-recorded MD's do not have the magneto-optical coating layers or the lubricating layers. They are made of the same plastic-aluminum structure as CD's. There is absolutely no way to record or erase anything on pre-recorded MD's. |
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Yes. The MD format stores data like hard-disk or floppy-disk drives in computers. The TOC contains a list of starting/ending positions and names for each track, like the directory in computers. Tracks can be erased, divided, combined, moved and named like the files on a computer's hard disc. For example, after recording eleven 5-minute tracks on a 60-minute MD, 55 minutes are used up and 5 minutes remain. If the user decides to erase track 8, the TOC is updated, and now 50 minutes are used by 10 tracks and 10 minutes remain. If the user now decides to make a 7 minute recording, no problem. After pressing the record button, the MD recorder seeks the next 'empty' spot on the medium (according to the TOC) and starts. |
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A blank MD can handle up to approximately 1 million recordings. |
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Once written to the disk, data are safe from the magnetic fields and heat found in normal environments. Data stored with magneto optical technology are expected to be safely stored for more than thirty years without loss or degradation. |
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There is a limit of of 255 tracks as defined in the MD format. There is also an upper limit for the title and track names of 1700 characters in total. |
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If your machine does not have an UNDO function, there is one safe alternative: The MD unit only writes the TOC to the disc when the disc is being ejected. When you do edits, it is actually only changing pointers in memory, which are then all written at once to the disc when it's ejected. Now, whenever you do any editing, you should periodically eject and re-insert the disc (just to write the edits to disc). This way, if you make an edit mistake, you will not lose ALL of your edits. |
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Copyright 1998 Sony Electronics Inc. All rights reserved. Legal/Trademark |
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